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The Handsome Family – Honey Moon

The Handsome Family – Honey Moon

Coming straight from the mid- to late-90s alt country scene, The Handsome Family have a reputation for solid laid-back country styles woven with sparse, effective harmonies and gritty, tearing lyrics. Brett’s nasal delivery has enough boom to carry the weight of the lyrics and scratches enough to transfuse the pain directly to the listener, and Ronnie’s harmonies lift the lyrics into stark, empty, starless space. The feeling is truly a grounded, earthly feeling… while stretched hopelessly upward to the heavens.

In a slight change of pace, however, the new album “Honey Moon” treads into a slightly more pop-influenced sound. That is to say, a more regressive-country-pop sound, rather than the realm of modern-country-pop. The songs are lighter on Honey Moon – they are more uplifting and heartworn than on previous albums, but still generally drifting and grounded overall. Of course, the album has been advertised as a celebration of the couple’s 20th wedding anniversary, which certainly accounts for the gentle shift in the content of the lyrics. On the other hand, it might also forecast a shift in what’s to come in future releases. The very idea that the Handsome Family could be moving toward a more commercially-viable theme is not something I necessarily look down upon – “goth-country” is becoming sparse as a genre (I prefer “regressive-country”), and bands are still able to stick to roots Americana by writing love songs instead of murder ballads. I stand by murder ballads at the basis of country music, but there is certainly room for more sweet than bitter in bittersweet. In short, the album contains more of the Everly Brothers’ “Songs Our Daddy Taught Us” than the darker “American” series by Johnny Cash.

Songs like “Little Sparrows,” “A Thousand Diamond RIngs” and “Wild Wood” have a positively upbeat and country-rock feel, which is complimented by the drifting “The Winding Corn Maze” and light-waltz “Darling, My Darling.” My favorite track from the album, “When …

It’s Real – Codine and the Delta Momma Blues

Delta Momma Blues, one of Townes Van Zandt’s earlier albums, is not as cut and dry as one might think.  While the title-track drifts by slowly and gives off a somewhat lazy-river feeling, it contains a double-meaning from the songwriter.  “Delta Momma,” as Townes referred to it, was cough syrup with codine (Robitussin DM = Delta Momma), and was easily available over the counter.  As the lyrics suggest, it made the consumer feel removed and relaxed.  On the other hand, it is violently addictive (as a opiate) and it’s ingestion with the other ingredients of cough syrup in large quantities is not a good idea.  Nevertheless, Townes Van Zandt and many other prolific songwriters swore by the Delta Momma, and it’s use continues in the southern United States – popularized again through hip-hop.

1964 – Buffy Sainte-Marie – Cod’ine
1964 demo - Donovan – Codine
1965 – Jimmy Gilmer & the Fireballs – Codine
1965-66 – Gram Parsons – Codine
1966 – The Litter – Codine
1967 – The Leaves – Codine
1968 – 31st of February – Codine
196X – Matthew Moore Plus Four – Cod’ine
1976 – Man – Codine
1983 – The Charlatans – Codine Blues
1994 – Poison 13 – Codine
2006 – Oakley Hall – Codine

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1970 – Delta Momma Blues – Townes Van Zandt
(Also a mention in “Waitin’ Round to Die”)

New York City?!?!

I was in New York City last weekend – definitely for a little bit longer than I wanted to be, but that’s ok. I got a chance to see some great music and check out some parts of NYC I hadn’t really been to before. Also, I was introduced to the joys of the Chinatown Bus, something I will try to avoid using for the rest of my life.

And the Moneynotes

The first thing I had a chance to see was at Piano’s Bar & Grille. They have an open mic night (sort of) on Friday nights, and a friend’s band was playing. I had no idea what to expect, but I was very surprised and pleased with what we saw. The band: And the Moneynotes (myspace, daytrotter session) – A pseudo jugband/country-rock/good-time band with heaps of talent and an obvious joy of what they’re doing. They mixed genres throughout their set – bluegrass, R&B, country-rock – it all fit, and was delivered without much effort. Their energy was directed into the crowd, and was generally well-received by everyone I was in elbow-contact with (it was PACKED). Tons of fun, and very impressive musically. They are enormous (at least in comparison to the stage at Piano’s), and carry a sound that is tight and well rehearsed, but slightly unhinged, giving them a sort of “sing-and-dance-around-the-fire-with-your-jug-o-wine” type attitude. Regardless of their low-brow genre, their music is serious, and they play directly to their audience. For country and blues enthusiasts, they are a must-see.

And the Moneynotes – Too Much
And the Moneynotes – A Pirate’s Confession Part III

(both from the most current release “New Cornucopia!” Buy it from iTunes here.)

EDIT – I was immediately reminded of this song from the documentary “Heartworn Highways” when I saw them. It would be great to hear them cover this.
Rodney Crowell – Bluebird Wine

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Holy Crap

I am back for real this time. The server move is complete, and my email is working again. I will most definitely have some reviews coming up – I haven’t forgotten.

By the way – do not, for any reason, go with “aheadservers.com.” You will regret it.